Among the six legends presented with Lifetime Achievement Awards at the 19th Arts & Culture Trust (ACT) Awards was constitutional and creative crusader, Albie Sachs, who was honoured for his commitment to democracy, arts and culture in the country, often under exceptionally trying circumstances.
The cornerstone of the ACT Awards ceremony, which was held at Sun International’s The Maslow Hotel in Johannesburg on Friday, 21 October, is the prestigious Lifetime Achievement Awards. Lifetime Achievement Award winners are nominated and selected by the current and previous ACT Trustees, and are always individuals that the sponsors are proud to acknowledge for their contribution to the arts.
Sachs was presented with the Arts Advocacy Lifetime Achievement Award, sponsored by Creative Feel. “DeskLink Media and Creative Feel won the Arts & Culture Trust Media Award in 2005 and are proud to have partnered with ACT ever since,” says Lore Watterson, the publisher and Editor-in-Chief of Creative Feel. “We became media partners to their annual Lifetime Achievement Awards and decided to sponsor a new category for Arts Advocacy in 2014.”
This year’s winner, the prolific author, activist and patron of the arts, Sachs, says the presentation of this award stirs a concoction of emotions; “I feel joy mixed with sadness, joy because flattery is the spice of life, and sadness because it contains more than a hint that you are over the hill.”
An iconic custodian of human rights in South Africa, Sachs was instrumental in projects such as the Freedom Charter in Kliptown, and was later a chief architect of the constitution.
As a defendant of all people, Sachs was continuously raided, restricted and restrained by the Apartheid government. After being held in solitary confinement for 168 days Sachs eventually went into exile in 1966, spending several years teaching and researching abroad. In 1988, a car bomb placed by South African security agents severed Sachs’ arm and destroyed his sight in one eye.
In 1990, Sachs return to South Africa and played an active role in the negotiations which led to South Africa becoming a constitutional democracy. After the first democratic election in 1994, he was appointed by then President Nelson Mandela to serve on the newly established Constitutional Court.
Sachs has continued to champion the arts and was involved with the development of the Constitutional Court building and its art collection. He personally collected and approached South African artists to contribute to the collection, stretching a paltry R10,000 budget into a multimillion rand collection, donating many of the pieces himself.
“Arts and culture represent the deepest aspects of ourselves, our dreams and doubts, our jolts and jubilations; all that is exasperating and elevating,” Sachs says.
These reasons and more make him an obvious candidate for the Arts Advocacy Lifetime Achievement Award. “A Lifetime Achievement for Arts Advocacy can be defined quite broadly as an award for someone who has continually championed the support of the arts,” says Watterson. “We feel that the recognition should go to someone who has ‘made the arts happen’ behind the scenes, someone who is not always recognised for the hard work that they put in to make the arts happen.”
Winner of the Tang Prize in Rule of Law in 2014, Sachs is currently using a portion of the award to tell the story of the making of South Africa’s democratic constitution. Sachs is also one of only two people to win the Alan Paton Award twice. A documentary about his life, Soft Vengeance: Albie Sachs and the New South Africa, by Abby Ginzberg, was released last year, and he is using this documentary in anti-bullying and anti-retaliation programmes, while also using his passion for creativity to inspire troubled youths.
His advice to the country’s young activists? “Don’t listen to the advice of older people like me, be as daring and aspirational and challenging as we were. And we achieved the impossible…,” he says.
The 19th annual ACT Awards was hosted by Sun International in association with the National Lotteries Commission (NLC) and is supported by the Southern African Music Rights Organisation (SAMRO), the Dramatic, Artistic and Literary Rights Organisation (DALRO), Media24 Books, the Nedbank Arts Affinity, JTI, Creative Feel, Business and Arts South Africa (BASA) and the Distell Foundation.
Author: Gilly Hemphill
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